Saturday, 10 March 2012

MEDIA SPECIFICITY - lecture

Medium: material or technical means of artistic expression

media is the plural form of medium.
- the dictionary defines media as all the communication devices and channels of communication used to reach mass audiences.
- first use of media in 1927, perhaps abstracted from mass media (1923, a technical term in advertising), pl. of medium in particular when useed as an "intermediate agency," or a ‘carrier’ a sense first found c.1600. 


- the physical nature of any given thing and its relationship to its environment determines the way it works or operates. This lecture will give a brief reminder of what we are as a species and what are our physical and mental limitations. It will then propose that all human attempts to construct media are attempts to extend beyond our physical and mental limitations and that each media we develop has its own limitations and strengths, which we need to understand if we are to make the most of what each media offers. 



- EDWARD TUFTE
- powerpoint = more difficult to communicate with an audience
- encourages speakers to create ultra-short slides

- our medium specificity is that we are biological creatures. Organic in nature, we have a close genetic connection to the animal world. 






- medium specificity is the view that the media associated with a given art form (both its material components and the processes by which they are exploited)  entail specific possibilities for and constraints on representation and expression, and this provides a normative framework for what artists working in that art form ought to attempt. 



An artwork, in order to be successful, needs to adhere to the specific stylistic properties of its own medium.

  “Gotthold Ephraim Lessing 1776

  Medium/media specificity is a term used in aesthetics and art criticism. 



MEDIA SPECIFICITY IN THE FINE ART WORLD



- Michael Fried 1966 essay "Art and Objecthood" is an attack on minimalist art for producing effects that do not derive from within the work itself, but instead are dependent on the viewer's relationship with the object. This, he insists, "is now the negation of art" (Fried, 1967)

PHOTOGRAPHY


- the concept of medium-specificity has had a profound impact on photography. In its early history, photography struggled to establish itself as a legitimate art form. Theorists devised a justification for the art of photography that positioned it against its competitor, painting. Art photographers such as Stieglitz, Weston, and Strand argued that in order for photography to be taken seriously, it must operate only according to its own capabilities: it must not aspire to imitate the aesthetics or materials of painting. The art of photography became defined on strictly medium-specific terms.

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