Q1:
outline changing forces of modernity, industrialisation, urbanisation, experience of city, fashion, class, hierarchies, secularisation
HAUSSMANNIZATION IN PARIS
- redesigned as modern city
- streets widened
- eiffel tower and exposition (moulin rouge etc)
- art that looked at social experience of modernity
BAUHAUS
- new period of hist. begun with end of WW1
- new modern period
- rebuilding society and the world
- new style of design to reflect this
- 'design for all', mass produced and cheap
- functional, cheap, new materials
- one language of architecture for whole globe
- sans serif font, neutral, international
Q2:
- new methods of print linked to modernity
- graphic design solution to the busy metropolis
- design that is informed by industrialisation
- underground map etc
- Malcolm Barnard Graphic Design as Communication...chapters on mod. and p mod.
- take a period in history and define that
- period of social change or turmoil
- good example...Russian Constructivists 1917 - 1924
- shift from one social order to another
- Bolsheviks and the state they tried to build
- state in the social changed state in the cultural
- could use a subculture
60s
- interest in design for music
- disposable income = emergence of sub c, brought visual forms and growth of the individual
- post war affluence
- how did design follow of emerge from this
70s
- repressive society, counter cultural values
- Oz magazine, crazy layouts and radical material, banned for being obscene
- punk in the 70s
- own visual language
Acid house, late 80s
Q3:
- 4 writers on p mod, comparing and contrasting and applying them to work
- Glen Ward, Teach Yourself P Mod
- Rick Poyner, No More Rules
- Cranbrook Academy
- sources = Ward, Poynor, Barnard
- don't have to stick to tight def. of g.d...could look at graffiti and street art as p mod communication
- zines, p mod formal journal
Q4:
- Turner Prize
- Aura, Q. Benjamin
- Malcolm Barnard, chapter 8, g'd and art
Q5:
- United Colours of Benetton campaign
- Dove campaign
- ultimately want to sell just not in the same way
- discussion of Bullmore's quote
- Adbusters magazine, Kalle Lasn (1999) 'Culture Jam'
- last chapter of 'Ways of Seeing' by John Berger
- The Codes of Advertising, Sut Jhally
- John O'shaughnessy and Nicholas Jackson O's, Persuasion in Advertising
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