Digital textile printing can be divided into:
- Direct to garment
- Visual communication
- Interior decoration
- Fashion (the "Como" industry)
Digital textile printing started in the late 1980s as a possible replacement for analog screen printing. With the development of a dye-sublimation printer in the early 1990s, it became possible to print with low energy sublimation inks and high energy disperse direct inks directly onto textile media, as opposed to print dye-sublimation inks on a transfer paper and, in a separate process using a heat press, transfer it to the fabric.
Within the digital textile printing for visual communication a division has to be made in:
- low-volume dye-sub printers (e.g. ATPColor, D-Gen, Mimaki, Mutoh)
- mid-volume wide format printers (e.g. ATPColor, Durst, Hollanders Printing Systems, Vutek)
- high-volume industrial printers (e.g. MS, Osiris, Stork, Konica-Minolta, Zimmer)
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